Sarajevo




Many years after the Lebanese war started, press and television images of the conflict in former Yugoslavia began to invade Nada Sehnaoui’s life, who at that time lived in Boston. The artist felt that what had ravaged former Yugoslavia was a continuation of the same cycle of turmoil that had destroyed Lebanon. The inhabitants of Sarajevo, similar to those of Beirut, had lost control over their lives and their city. They were confronted with the same destructive devices intended to divide and destroy a city; namely snipers, barrages, militiamen, checkpoints, shelling, shortages of all kinds, and the indifference of the international community towards the situation. Clearly, there was a repetition in the scheme of destruction. Sarajevo is the body of work created by Nada Sehnaoui, with texts written by people besieged in Sarajevo.

Seven Letters from Sarajevo<br>Texts and Mixed Media on Wood<br>166cm x 191cm<br>1995

Music Under Siege<br>Mixed Media on Canvas<br>196cm x 170cm<br>1994

Music Under Siege II<br>Mixed Media on Paper<br>122cm x 110cm<br>1994

The End of the Twentieth Century<br>Mixed Media and Text on Canvases<br>75cm x 95cm<br>1995

Nothing Left To Say<br>Mixed Media on Wood and Canvas<br>153cm x 31cm<br>1995

Seven Days<br>Texts and Mixed Media on Wood Boxes<br>11cm x 92cm<br>1995