1. WORKS
  2. PAINTINGS
  1. Paintings
  2. Early Works
  3. Installations
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How Many How Many More



How Many How Many More IX<br>Acrylics, pastels, crayons, maps, newspapers, photos, and beads on canvas<br>200cm x 200cm<br>2018-2019

How Many How Many More V<br>Acrylics, pastels, crayons, maps, newspapers on canvas<br>200cm x 200cm<br>2016

How Many How Many More VIII<br>Acrylics, pastels, crayons, maps, newspapers, photos, and beads on canvas<br>200cm x 200cm<br>2018-2019

How Many How Many More VI<br>Acrylics, pastels, crayons, maps, newspapers, photos, and beads on canvas<br>200cm x 200cm<br>2017

How Many How Many More II<br>Acrylics, pastels, crayons, maps, newspapers, photos on canvas<br>150cm x 200cm<br>2018-2016

How Many How Many More IV<br>Acrylics, pastels, crayons, maps, newspapers on canvas<br>150cm x 200cm<br>2015

How Many How Many More III<br>Acrylics, pastels, crayons, maps, papers and newspapers on canvas<br>150cm x 200cm<br>2016

How Many How Many More I<br>Acrylics, pastels, crayons, maps, papers and newspapers canvas<br>150cm x 200cm<br>2015

How Many How Many More VII <br>Acrylics, pastels, crayons, maps, papers and newspapers on canvas<br>150cm x 200cm<br>2017


Along These Lines
Lebanese artist Nada Sehnaoui repeats that it all started when she stumbled across a mention of the Lebanese War Statistics published in several international newspapers in 1991 − list of numbers of people wounded, disappeared and dead during the 15-year-long Lebanese Civil War (1975−1990). Read more


How Many, How Many More
How Many, How Many More: a phrase that cannot help but complete itself, conjuring up a vast lexicon of wars, shattered futures, and empty promises, metamorphosing into existential questions with no definite answers. Yet, far from a rhetorical lament, Nada Sehnaoui's How Many, How Many More is a rebellion... Read more